The Harbinger’s Path | Chapter 2, pages 3-4 (Printed proof – not final)
I spent much of the tail end of April finalizing The Harbinger’s Path print version, and wanted to share some photos of one of the book’s proofs from during this time! I ended up spending much more time than I’d planned refining the print version, and despite telling myself not to do this excessively – I ended up manually adjusting or making art refinements to every single page, haha. On the plus side, I’m pleased with how it’s turned out! I think the extra time was worth it, and I hope this comes across to anyone who holds the final book in their hands!
All photos in this post are graciously taken by my printer (many, many thanks to them again for being so wonderful to work with!).
The rest of the photos & post are below, along with one or two higher-resolution photos:
Finished my circle cut for Manga Ichiba! These are used as a way for the convention organizers to show who the participating doujin tables are. It’s carried over from Comiket (“comic markets”) in Japan. In JP, doujinshi are much more commonly created and shared – compared to here in NA, where we don’t have an established doujin culture (…yet!).
I spent far too long deliberating on which artwork to use for my circle cut. I tried several, before ending up doing the least efficient option – refining a very messy sketch from this past October. I saved it knowing I’d like to refine it at some point, but hadn’t until now. This isn’t finished – it’s still quite messy in places – but perhaps that is even more appropriate for a circle cut. From my understanding, they are often sketches done for the specific convention (though correct me if I’m mistaken).
I wanted to do something a little more playful, without being misleading about what the doujin is about. This is what I landed on – hopefully it’s a good compromise! :p
Date, Time, & Table Number for Manga Ichiba @Fanime
Oh! And as you can read from the image, this also shows info about where and when I will be at the convention. The convention is 3 days, but every doujin table will only be tabling 1 of the 3 days (unlike traditional artist alleys). Below’s the summarized info:
Table Number: B16 Tabling Date: Saturday May 23, 2026 Time: Day slot, 10 am – 4 pm (“General Audiences”)
I saw a very insightful post on Bluesky the other day, linking to resources detailing the history and ethos of how Comikets in Japan were first established. Much is new information to me! I wanted to link it here, both as a reminder to myself to peruse more leisurely when I have a chance, and in case you might also be interested in reading.
Let me also link directly to the sources, in case Bluesky ever vanishes in the future. Posted originally by the user “saba sabaton” (sabato-n.bsky.social):
Updated typography | Ch2 Title Page | The Harbinger’s Path Link to live page here.
I’m here with an update about The Harbinger’s Pathprint book’s progress!
As of this writing, I have finished the first edit pass for all of Chapter 1, all of Chapter 2, and I am now up to pages 5-6 in Chapter 3. These edits include adjusting the pages to factor in margin, bleed, and trim, for when the pages are cut for printing. I have also retouched the art for certain pages along the way (one of them might even be live on the site!).
Book Dimensions and Page Count
I can also share some of the physical attributes of the book. It will be 5.5 x 8.5 inches, which is slightly wider than A4Correction: A5.(I always mix these two up, forgive me.) This is a standard size for US printers – a size below the standard 6 x 9 in for many US comics. This made figuring out some of the cost logistics easier. The current page count, including the cover, front and back matter, and bonus material, is 84 pages. This version will also be perfect-bound (like a standard book/not like a magazine).
With the comic pages themselves adding up to 55 pages, this means the remaining pages are bonus material! This page count will likely change as I continue working on the book’s layout, but increasing the page count from the original ~60 to the current 84 had a negligible effect on cost (to my surprise and delight). And, it is giving me an excuse to refine and polish several illustrations of Trahearne and Malyck I’ve started over the years – some I’ve shown before, but a few I never have!
Typography Updates (Live)
In addition to the above book info, one of the updates I wanted to show are typography updates!
Below are comparisons of the updated versions with the previous typography, as I’ve updated the title pages for all 3 chapters on the live site now.
Left is the updated version, right is the previous version.
One of the changes that’s always been in the back of my mind was updating the typography for the chapter title pages. I don’t know why I didn’t think to try this before, but I tried out using the same font I used the the cover (“Gloucester MT Extra Condensed”), and I much prefer the look of this one compared to the previous version.
I remember I spent a good amount of time with the typography in the original, as I was never quite satisfied with it. I should have realized it was my choice of font face! Once I changed it to this Gloucester font, it fell into place quickly.
I’m fond of that previous edgelord font, but after trying it for 3 chapters, I’ve realized it isn’t the best fit for the tone I want to convey in this comic. I still love the font, but it’s better suited for a different project.
In addition to font changes in these comparisons, you might also notice the slight adjustments made to account for page trim and bleed.
Very luckily, it turns out the dimensions I used for the pages spread layout is the exact same ratio as 5.5 x 8.5 in. I am not sure how this happened, because this entire time, I was formatting the pages only with web in mind. I specifically remember originally starting with a 6 x 9 ratio, and then manually adjusting the dimensions to be taller, to fit better for web and mobile. I don’t recall specifically formatting the page dimensions for 5.5 x 8.5, but I either must have and it was so long ago I no longer recall, or this is an incredibly very fortunate coincidence.
If you’d like to know more about this print version of The Harbinger’s Path, click here or the banner below for January’s announcement post which has more info!
Spent some hours last night seeing how much I could add to this small animation practice!
I did the early draft for this one at the end of January. I had a vague notion of potentially finishing it for Valentine’s Day for fun, but before I knew it, the day was upon us! Yesterday became practice to see how much I could add, or how presentable I could make it, by today.
The version all the way at the end of this post is how the file looked when I opened it yesterday. I wasn’t sure whether I’d add color – I could have spent much more time on the lines – but I learned a lot in this one from how I added the color this time.
Lines only.
I have to confess I’ve always not understood cell-shading well. But I am quickly growing an appreciation for it after trying it out here.
Early “keyframe” draft.
One thing I noticed recently is there’s a “messy” stage when going from the early “keyframe” draft to adding the in-between “breakdown” frames (below). It’s a bit counterintuitive for me, because when adding the breakdown frames, it almost looks like the animation is reversing its progress – at the same time, I can start to see more of how the final motion might look. And seeing that potential is what makes adding these breakdown frames so invigorating to draw!
Version when I opened the file yesterday, where I had started adding the “breakdown” frames.
