May 19 & 21, 2026: Updated with photos of the final book and bonus booklet!
Click here to jump to additional final book photos.
Click here for additional photos + info about the new “bonus booklet!”
*Note: Links above only work if you’ve joined the “interest-check” email group and can see the full post.
The Harbinger’s Path | Chapter 2, pages 3-4 (Printed proof – not final)
I spent much of the tail end of April finalizing The Harbinger’s Path print version, and wanted to share some photos of one of the book’s proofs from during this time! I ended up spending much more time than I’d planned refining the print version, and despite telling myself not to do this excessively – I ended up manually adjusting or making art refinements to every single page, haha. On the plus side, I’m pleased with how it’s turned out! I think the extra time was worth it, and I hope this comes across to anyone who holds the final book in their hands!
All photos in this post are graciously taken by my printer (many, many thanks to them again for being so wonderful to work with!).
The rest of the photos & post are below, along with one or two higher-resolution photos:
Laranthir of the Wild | 2026 Paintover (sketch/not final)
My time has been occupied by trying to squeeze in as many final edits to the book as I’m able to – which has involved some painting, and made me feel like like doing a small paintover of one of my older Laranthir artworks today. I’m not sure if I’ve ever posted the original before, because I wasn’t happy with how it turned out. Above is the paintover from this morning, and the original version is in the full post below:
Finished my circle cut for Manga Ichiba! These are used as a way for the convention organizers to show who the participating doujin tables are. It’s carried over from Comiket (“comic markets”) in Japan. In JP, doujinshi are much more commonly created and shared – compared to here in NA, where we don’t have an established doujin culture (…yet!).
I spent far too long deliberating on which artwork to use for my circle cut. I tried several, before ending up doing the least efficient option – refining a very messy sketch from this past October. I saved it knowing I’d like to refine it at some point, but hadn’t until now. This isn’t finished – it’s still quite messy in places – but perhaps that is even more appropriate for a circle cut. From my understanding, they are often sketches done for the specific convention (though correct me if I’m mistaken).
I wanted to do something a little more playful, without being misleading about what the doujin is about. This is what I landed on – hopefully it’s a good compromise! :p
Date, Time, & Table Number for Manga Ichiba @Fanime
Oh! And as you can read from the image, this also shows info about where and when I will be at the convention. The convention is 3 days, but every doujin table will only be tabling 1 of the 3 days (unlike traditional artist alleys). Below’s the summarized info:
Table Number: B16 Tabling Date: Saturday May 23, 2026 Time: Day slot, 10 am – 4 pm (“General Audiences”)
I saw a very insightful post on Bluesky the other day, linking to resources detailing the history and ethos of how Comikets in Japan were first established. Much is new information to me! I wanted to link it here, both as a reminder to myself to peruse more leisurely when I have a chance, and in case you might also be interested in reading.
Let me also link directly to the sources, in case Bluesky ever vanishes in the future. Posted originally by the user “saba sabaton” (sabato-n.bsky.social):
Below are a few process sheets from this commission (with client name omitted, as since this was from a while ago, I cannot quite recall whether this commissioner wished to remain anonymous).
PROCESS IMAGES
Initial Sketches | Process sheetRevised Sketch – Color Variations | Process sheetThe final painting once more!
I’ve been meaning to occasionally update this blog with some art I haven’t posted here before! Starting with a few Guild Wars 2 Tier 3 “speedpainting” commissions from a while back. These are 3 of my favorites from 2023!
The other reason I wanted to post these is because I took timelapses of several pieces from the 2023 batch of “speedpaintings.” I’m planning to post the timelapse for the first and third artworks in this post (the fiery charr and the confident-looking sylvari).
I recently finished editing the timelapse videos for those two, and will post them to YouTube soon. I’ll update this post when those process videos are up!
Guild Wars 2 “speedpainting” commission
I’m undecided about whether I’ll post the timelapse for the middle artwork (with the Ascalonian sword – one of my favorite weapon skins!), even though this is personally one of my favorite speedpaintings (I learned much about brushwork doing this one). I discovered while editing the clips that there’s a small portion in the middle that didn’t record. It’s very short, but it’s one of the parts I personally would want to see drawn (it’s when I draw the shoulder shapes), and I feel like it’s less interesting without this portion in there.
I searched all through my frames and sadly it is nowhere! It’s just lost. I’ll look at the video again to see if it’s still interesting to watch, but argh! I wish I had it there, because that one was so fun to draw, and I’d have liked to see that part drawn too.
I’ll again update this post with the process videos when they’re up!
April 1, 2026
Added timelapse video for the “GW2 Charr Engineer” Speedpainting.
March 30, 2026
Added timelapse video for the “Guild Wars 2 Guardian” Speedpainting.
March 25, 2026
Added timelapse video for the “Sylvari Engineer” Speedpainting.
