
I was playing around with some brush settings last week. This is one of the color tests (the other is Corveil, of course – I’d like to see if I can make him more presentable at some point).

Small practice panel to try some things out. Arquel from a panel in one of the pages I’ve been sketching for practice/fun/warm-ups.
Edit: As is tradition, immediately after posting this to a social site, I see errors previously unnoticed – very slight adjustment, the original is below:

I’ve had this drawing of Arquel around for several years, that I first did during one of the days for “Paint-ober” in 2021. This was a daily painting challenge I made up for myself during October of that year (if it existed prior, I don’t think I saw anyone participating that year). I was inspired to try this challenge by the ubiquitous “Inktober” which used to be in vogue years back. Ironically, I decided to do my own, non-ink challenge at the time, because I didn’t have interest in doing line or “ink” drawings back then. Oh, how making comic pages has transformed me! Haha.
I’ll always adore painting, of course – it’s still what I am more comfortable with. Anyway, I always liked the concept behind this Paint-ober Arquel painting – I mainly thought the color palette turned out in a pleasing way. I intended to finish the painting after the month-long challenge, and I did fuss around with it here and there, afterward.
Below are the original and an earlier version:
My dilemma with this painting is it always felt like it was “almost there” to me, but never “there.” I felt that with the original drawing, and also with the 2023 version (this version is how the file looked when I opened it today). This caused me to set this painting aside for long stretches of time, and dabble with it infrequently – with years-long stretches, apparently!
I had the random urge to revisit it again today – from the filename, for the first time since 2023. And now, there’s the current 2025 version, at the top of this post.
I still don’t think it is “quite there,” but each time, I think it’s veering closer. These paintovers are fun for me, though rather self-indulgent, as it would probably make better sense for me to start a new painting of the same idea, at this point. But, I am enjoying fiddling with this painting now and again, because I enjoy seeing what I would do differently each time, compared to the last time I opened the painting. The 2023 version I started approaching faces differently – slightly more defined forms and shadows – which I think is further developed in the 2025 version today. Today’s version also had much higher contrast compared to how it looks now – I might update this post with that version to compare.
And here it is:

There are some things I think might work better in this version, but I’m leaning toward exploring more of the subtler, more atmospheric tone of the one at the top of the post.

There seems to be a theme between this and the last post. Haha.
This was a sketch idea I wanted to jot down yesterday. I started trying out some vague decorative background ideas. Still deciding which way to take it. Other than the general pose, I didn’t plan the rest out. It felt nice to just scribble-wander for a bit. Backgrounds are secretly one of my favorite things to paint – but I oddly don’t end up showing too many here. Maybe that’ll change this year!

There are some things about the sketch I like better than the current version – mainly the angle of Arquel’s head. The way it was changed probably reads slightly more clearly – I think – though I like the intensity of the sketch. That might also just be by virtue of being a sketch, though. That sketchy energy! Why sketching is still probably my favorite part of the drawing process.
